“一带一路”音乐“非遗”保护与传承国际学术交流会公告

发布时间：2026-01-25 21:38:16 浏览量：2

“一带一路”音乐“非遗”保护与传承

国际学术交流会公告（第1号）

2026年是联合国《保护非物质文化遗产公约》（以下简称《公约》）生效20周年，中国作为《公约》缔约国，已有44项文化遗产入选联合国教科文组织非物质文化遗产名录（名册），数量居全球首位。随着越来越多的中国传统音乐项目被列入各级“非遗”名录，中国在音乐非物质文化遗产（以下简称音乐“非遗”）领域积累了丰富的经验和丰硕的研究成果。2026年也是全球音乐研究的重要资源平台，国际音乐文献资料大全（Répertoire International de Littérature Musicale，简称RILM）成立60周年。

为庆祝这两个重要纪念日，同时也为了响应“一带一路”高质量发展的号召，进一步深化音乐“非遗”的国际保护与传承合作，兹定于2026年10中下旬（具体时间另行通知），举办“‘一带一路’音乐‘非遗’保护与传承国际学术交流会”。会议由中央音乐学院主办，RILM与“一带一路”音乐教育联盟（The Belt and Road Music Education Alliance）、《中央音乐学院学报》编辑部、中央音乐学院“非遗”中心联合承办。现将会议相关事宜公告如下。

一、会议宗旨

本次学术会议旨在为人文学科、艺术与科学领域的讨论提供一个平台，评估和探讨音乐“非遗”项目在中国及世界范围内的成就；研究中国（民族）音乐学关于“非遗”的研究如何服务于国际社会，以及 RILM 对“非遗”的呈现如何满足中国及其他地区“非遗”实践者的需求。

会议聚焦“音乐在‘非遗’保护中的作用”，通过搭建国际学术交流平台，推动‘非遗’保护从“经验总结”向“理论构建”升级，回应“一带一路”沿线国家文化交流与合作的迫切期望。

二、会议议题

会议欢迎有关音乐“非遗”相关的投稿，包括论文、专题讨论、海报展示及工作坊。投稿主题包括但不限于下列方面。

（1）中国音乐“非遗”的过去、现在与未来

（2）国际音乐“非遗”传承发展与中国实践

（3）数字化与音乐“非遗”保护实践

（4）（民族）音乐学知识在音乐“非遗”实践中的应用

（5）音乐“非遗”在（民族）音乐教育中的作用

三、会议主要形式

（1）学术交流：会议将根据议题设置多个分会场开展学术研讨，涵盖中国音乐“非遗”的过去、现在与未来、“非遗”保护的国际交流与合作、数字化与音乐“非遗”发展、（民族）音乐学知识应用、音乐“非遗”在音乐教育中的作用等方向。会议还将举办“非遗”工作坊，分享实操经验。

（2）高端对话：会议组织圆桌会议，聚焦全球音乐“非遗”保护成就、国际合作路径、RILM“非遗”呈现与实践需求对接等核心议题。

（3）文化展示：会议将安排开幕式演出、中国音乐“非遗”专场演出、闭幕式演出三场特色演出，展现音乐“非遗”的魅力。

（4）成果共享：会议接收论文、专题讨论、海报展示等多种形式的投稿，搭建学术成果交流平台。

四、参会人员与论文征集

本次会议将使用中英双语（提供翻译服务）。会议将以邀请和征稿两种方式拟订参会人员，届时将在全球范围内邀请相关领域的知名学者，并从投稿作者中遴选参会人员。组委会将从投稿论文中择优由《中央音乐学院学报》发表。请有意参会者于2026年5月30日前提交500字（中文）或300个单词（英文）以内的摘要，同时提供联系信息（地址、电话及电子邮件等）。组委会欢迎以专题研讨小组的形式参会。

会议中方联系邮箱：

xbbjb@ccom.edu.cn

联系人：

翟浩然郅政

组委会

2026年1月20日

International Academic Conference on the Safeguarding and Transmission of Musical Intangible Cultural Heritage under the Belt and Road Initiative (No. 1)

The year 2026 marks the 20th anniversary of the entry into force of the Convention for the Safeguarding of the Intangible Cultural Heritage of the United Nations (hereinafter referred to as the “Convention”). As a State Party to the Convention, China currently has 44 items inscribed on UNESCO’s Lists of Intangible Cultural Heritage, ranking first worldwide. With an increasing number of traditional Chinese music projects being included in ICH inventories at various levels, China has accumulated rich experience and produced substantial research outcomes in the field of musical intangible cultural heritage (hereinafter “musical ICH”). The year 2026 also marks the 60th anniversary of the founding of Répertoire International de Littérature Musicale (RILM), a major global resource platform for music research.

To commemorate these two important milestones, and in response to the call for high-quality development of the Belt and Road Initiative, as well as to further deepen international cooperation in the safeguarding and transmission of musical ICH, the International Academic Conference on the Safeguarding and Transmission of Musical Intangible Cultural Heritage under the Belt and Road Initiative is scheduled to be held in mid-to-late October 2026 (exact dates to be announced).

The conference is hosted by the Central Conservatory of Music and co-organized by RILM, the Belt and Road Music Education Alliance, the Editorial Office of the Journal of the Central Conservatory of Music, and the Intangible Cultural Heritage Research Center of the Central Conservatory of Music. Details of the conference are announced as follows.

Conference Objectives

This academic conference aims to provide a platform for discussion across the humanities, arts, and sciences, to assess and examine the achievements of musical ICH projects in China and worldwide; to explore how Chinese (ethno)musicological research on ICH can serve the international community; and to consider how RILM’s presentation of ICH can meet the needs of ICH practitioners in China and other regions.

Focusing on “the role of music in ICH safeguarding,” the conference seeks to promote international academic exchange and to advance ICH preservation from the level of experiential summary to that of theoretical construction, responding to the urgent expectations for cultural exchange and cooperation among Belt and Road countries.

II.

Conference Themes

Submissions related to musical ICH are welcome, including papers, panel sessions, poster presentations, and workshops. Topics include, but are not limited to, the following:

1. The past, present, and future of musical ICH in China

2. International development of musical ICH transmission and Chinese practices

3. Digitalization and practices in musical ICH safeguarding

4. Applications of (ethno)musicological knowledge in musical ICH practice

5. The role of musical ICH in (ethno)music education

III.

Main Conference Formats

1. Academic Exchange: Multiple parallel sessions will be organized according to conference themes, covering topics such as the past, present, and future of Chinese musical ICH; international exchange and cooperation in ICH safeguarding; digitalization and musical ICH development; applications of (ethno)musicological knowledge; and the role of musical ICH in music education. Practical ICH workshops will also be held to share hands-on experience.

2. High-Level Dialogue: Roundtable discussions will focus on key issues such as global achievements in musical ICH safeguarding, pathways for international cooperation, and the alignment between RILM’s presentation of ICH and practical needs.

3. Cultural Presentation: Three featured performances will be arranged, including an opening concert, a special concert of Chinese musical ICH, and a closing concert, showcasing the vitality of musical ICH.

4.Sharing of Outcomes: The conference will accept submissions in various formats, including papers, panel sessions, and poster presentations, providing a platform for the exchange of research findings.

IV.

Participants and Call

for Papers

The conference will be conducted bilingually in Chinese and English, with interpretation services provided. Participants will be selected through a combination of invitations and open calls. Renowned scholars in relevant fields will be invited worldwide, and additional participants will be selected from submitted proposals. Selected papers may be published in the Journal of the Central Conservatory of Music following peer review.

Prospective participants are requested to submit an abstract of no more than 500 Chinese characters or 300 English words, along with contact information (address, telephone number, and email), by May 30, 2026. Proposals for organized panel sessions are especially welcome.

Conference Contact Information:

Email:

xbbjb@ccom.edu.cn

Contacts:

Zhai Haoran; Zhi Zheng

Telephone:

+86 (10) 6641 7541

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